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Balle of the Year
healliakeДата: Суббота, 05.10.2013, 21:30:37 | Сообщение # 1
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"Battle of the Year" discuss how the other world gettings embraced b-boy culture, however how they're no more regarded as chopping edge or cool in the United States.

That frets the Sean Combs-like impresario, Dante (Laz Alonso): "How lengthy prior to hip-hop isn't really cool down?".

He has to protect his fashion, songs and dance empire by putting American b-boys back on best. He employs an aged dancing pal, W.B. (for "Wonder Bread"), now a grieving, sprituous ex-basketball coach (Josh Holloway of "Lost"). W.B. has to get himself up to speed on the present state of dancing, then recruit and coach a "all-star team" of the best of America's finest to tackle the remainder of the globe, which has passed America by and long dominated the yearly b-boy Olympics understood as "BOTY," the Battle of the Year.

That team contains assorted pretentious, chip-on-their-shoulder showoffs, since that's exactly what it takes to do well. Actual superstar dancers such as Do Knock and Flipz are mixed with others, consisting of vocalist Chris Brown.

And aiding coach is Jewish hip-hop authority "Franklyn with a y," played by Josh Peck.

Benson Lee, director of the clear-cut documentary on the worldwide phenomenon, "Planet B-Boy," co-wrote and directed this, and immodestly has personalities enjoy that movie and vocalize its praises. Holloway can not also mean an actual dancing past, so the movie fabricates that by having his coach run his people via drills (in split-screen series).

Peck, as soon as of TV's "Drake & Josh," onetime star of "The Wackness," has a small, assisting duty yet is provided leading billing. In this case, that implies his every situation includes coiffed and excessively fabricated close-ups. It's laughable.

Tabloid beloved Brown more than holds his very own with this team, evidently not even needing a dancing double. The dancing scenes-- especially those involving teams from Germany, France and Korea-- take the b-boy transfer to the following level.

And there are sufficient simple, undemanding laughs, the ideal lines coming from Peck's assistant coach.

"You look like a gazelle out there," he praises his boss. "A gazelle with arthritis." Which, while it does not describe the movie, does strike this category right in the bull's eye. Yet then, the beauty of "Step Up" and all its exhausted imitators is that the audience they're shooting for has no concept that there have been 20 or 30 flicks exactly such as this one that came before it.


He has to protect his songs, dancing and style empire by placing American b-boys back on best. He hires an aged dancing colleague, W.B. (for "Wonder Bread"), now a grieving, alcoholic ex-basketball coach (Josh Holloway of "Lost"). W.B. has to obtain himself up to quicken on the current state of dance, after that recruit and coach a "desire group" of the finest of America's ideal to take on the remainder of the globe, which has actually passed America by and long controlled the annual b-boy Olympics known as "BOTY," the Battle of the Year.

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